Critical Analysis Of Francis Bacon Philosophy Essay

Critical Analysis Of Francis Bacon Philosophy Essay Bacon was a really wise man. His Essays is a treasure of world philosophy. They teach us those permanent moral principles which everyone must know obligatory. The essay Of Great Places consists of variety of moral maxims yet in this essay he also teaches worldly success. All rising to great place is by a winding stair; and if there be factions, it is good to side a mans self whilst he is rising and to behave himself when he is placed (Bacon). It is clearly a utilitarian advice and it for sure contains a compromise between morality and worldly success (Archer). Even when Bacon convinces the person not badly to say about its predecessor, not because of high ethics, but because of the fact that the person does not follow council would suffer with unpleasant consequences. Key words: great place, Francis Bacon, essay, happiness. In his essay Of Great place he discusses how a great position influences persons life and points on it. Bacon argues that such people hardly may be happy because they are the first that find their own grieves, though they are the last that find their own faults (Bacon). Indeed, great persons may seem happy but not be happy really. Philosopher is right; they should care about other and not think about themselves. Great post allow not only to make goodness, but also evil. Everything here depends on the person. Only readiness for making goodness is the major CRITICAL ANALYSIS justification for love of power. Merit and good works, is the end of mans motion; and conscience of the same is the accomplishment of mans rest stress Bacon and we cannot disagree with him. We have to learn on others mistakes in order to avoid our:   Reduce things to the first institution, and observe wherein, and how, they have degenerate; but yet ask counsel of both times; of the ancient time, what is best; and of the latter time, what is fittest (Bacon). In his essay Bacon gives us some helpful advises that do not lose its currency till today. Indeed, changes are not so good indicator and philosopher is right: changeable people are suspicious. So, every change should be explained together with the reasons that caused it. The author also teaches: In the discharge of thy place, set before thee the best examples; for imitation is a globe of precepts and it is truly important thought.  To my mind, it is very current as well. A lot of people got used to create idols and these exam ples not always the best ones. Very often it is the worst examples but people imitate them because it is fashionably, in tune with the times and everyone follows it. However, it is a big mistake. Only the best examples from the past are able to teach us how to act nowadays. We should learn according to those experiences. Bacon fairly stress that we should learn negative things from other experiences not in order to glorify ourselves and to reproach them, but to learn from those mistakes. I think it is also very significant point to CRITICAL ANALYSIS think it more honor, to direct in chief, than to be busy in all (Bacon). Very often people of great post try to control everything forgetting about their main task and main goals. Power makes them blind. They aspire to rule everything. It is not that should it be like. If to keep one topic from this wise essay, so perhaps I would like to discuss this one: à ¢Ã¢â€š ¬Ã‚ ¦ great persons had need to borrow other mens opinions, to think themselves happy; for if they judge by their own feeling, they cannot find it (Bacon). Well, I agree with this Bacons statement. Great people really devote themselves to others. They must care about all and everyone separately (if it is about some President, for instance). At last, it is truly hard. Indeed! However, such devotion to people and their occupation may turn into happiness. Why not? Imagine: you rule the country and feel responsibility for each single person. Yes, it is a great response, but there are a lot of examples from history when such gr eat people were really happy with their posts. If you really love your work and what you do, so this makes you feel like you are at your place. Despite of all difficulties, you will be strong enough to overcome everything if you like your position. And it is understandable. Well, of course, you may be unhappy being at the great place, but only in a case when you are indifferent to other people and events, if you do not feel it is yours. And Bacon is right: on order to feel them happy great people should know others opinions. It is understandable CRITICAL ANALYSIS because they work for others and we may even say live for others. It is responsibility. Only when you feel that you are heard and understood by others, that they appreciate you and follow you, so then you may feel happy. If you will be alone and work for no one being at the great place, so this work will does not have any results, except of negative. You should feel support and comprehension, understanding and gratitude. You must see that all you do is right and not in vain. Have you ever noticed that politics are really successful only when they are appreciated by people? And it is not only about voting, but during it, of course, as well. If people value their power, other ones will appreciate it too. It is simple, by the way: an effect of situation: if you are loved by someone, especially, by many people, very often others pay a lot of attention to you. Why? Because they see that you affect people somehow, they find something in you, like you for somethingà ¢Ã¢â€š ¬Ã‚ ¦ Consequen tly, you are bright, interesting, and sociable and you know how to treat people. And it is very important thing. Love of majority is an indicator. Of course, such leaders will feel themselves happy: they may be sure that approximately all their deeds are right and helpful. Well, perhaps, you may disagree and say that sometimes even bad politics and leaders in general may be happy but indifferent to their people or workers. It is an opinion that has a right to exist, but ask yourself: is it real happiness when you know and feel that others cannot stand you? CRITICAL ANALYSIS Is it happiness to realize that all your actions they consider as needless, empty, senseless, harmful, insincere, wrong, awful and so on and so for? To my mind, in this case you cannot feel yourself happy anyway. Work Citied Archer, Francis Bacon: Wordly Wisdom (2011). 16 Jan 2011. Web. 20 May 2011. Bacon, Francis. Essays: Of Great Place. Web. 20 May 2011. Fuller, Jean Overton,  Sir Francis Bacon (1994). Maidstone, Kent: George Mann Books.

Stockhausen’s Gesang der Junglinge

Stockhausen became increasingly fascinated during the late ’50s with the spatial projection of music in the performance space. It can be said that Stockhausen’s Gesang der Jà ¼nglinge marked the beginning of the end of classic musique concrete. For Kontakte in 1958, using four-track tape, he devised a clever way make the sound of his tape music spin around the audience at various speeds. He did this in the studio using a rotating platform with a loudspeaker mounted on top. He could manually rotate the speaker up to four times a second.Stockhausen also used a specialized tape recorder called the Springer. Originally developed to lengthen or shorten radio broadcasts, it used a rotating matrix of four to six playback heads that spun in the opposite direction as the tape transport. As the tape passed the rotating playback array, one of the playback heads was in contact with it at all times. The output was equal to the sum of the rotating heads.It was characteristic of him that he could not be satisfied with Boulez's and Berio's derivation of music from verbal sounds and structure: there must be some general principle, which a single work would be enough to demonstrate completely – some system which a work could bring into being. Such a system he found in the organization of degrees of comprehensibility, across a range from the plainness of speech to the total incomprehensibility of wordless music.This would require electronic means. He needed â€Å"to arrange everything separate into as smooth a continuum as possible, and then to extricate the diversities from this continuum and compose with them†, and he found the way to do that through attending, between 1954 and 1956, classes in phonetics and information theory given at Bonn University by Werner Meyer-Eppler. Since, as he there discovered, vowel sounds are distinguished, whoever is speaking, by characteristic formants (emphasized bands of frequencies), it seemed it ought to be possib le to create synthetic vowels out of electronic sounds, so that synthesized music could begin to function as language. Working from the other end, the whole repertory of tape transformations was available to alter spoken or sung material and so move it towards pure, meaningless sound.Around the time that Stockhausen was formulating these criteria for electronic music, the nature of his work began to change dramatically. After completing the two electronic Studien, he returned to instrumental writing for about a year, completing several atonal works for piano and woodwinds, as well as the ambitious orchestral work Gruppen.Gruppen, written for three complete orchestral groups, each with its own conductor, marked Stockhausen’s first major experiment with the spatial deployment of sound. He positioned the separate orchestras at three posts around the audience so that their sounds were physically segregated in the listening space. The groups called to each other with their instrum ents, echoed back and forth, sometimes played in unity, and sometimes took turns playing alone so as to move the sound around the audience.Gruppen and his other instrumental experiments of that time were Stockhausen’s bridge to his next electronic work. By the time he embarked on the creation of Gesang der Jà ¼nglinge (Song of the Youths, 1955-56), his views on the control of dynamic elements of electronic music had broadened considerably.In this creation the synthesized electronic sounds are composed according to principles analogous to those operating in vocal sounds, and the recorded voice, that of a boy treble, is carried into the electronic stream by studio alteration and editing: superimpositions creating virtual choruses, reverberations to suggest great distance, scramblings of words and parts of words, changes of speed and direction.Nothing on either side, therefore, is quite foreign to the other, and Stockhausen invites his audience to attend to degrees of comprehen sibility by using a text with which he could expect them (the work was intended for projection in Cologne Cathedral) to be familiar: the German translation of the prayer sung in the Apocrypha by three young Jews in Nebuchadnezzar's furnace (hence the title, Song of the Youths). Stockhausen's electronic composition Gesang der Jà ¼nglinge thus attempts to integrate its biblicalGerman text with all the other materials in the composition (Morgan 442). Even so, the choice of this particular prayer cannot have been uninfluenced by what Stockhausen could have envisioned would be the imagery of the piece, with the boy's singing surrounded by flames of electronic articulation.Gesang der Jà ¼nglinge is perhaps the most significant work of electronic music of the ‘50s because it broke from the aesthetic dogma that had preoccupied the heads of the Paris and Cologne studios. It was a work of artistic dà ©tente, a conscious break from the purely electronically generated music of WDR, in which Stockhausen dared to include acoustic sounds, as had composers of musique concrà ¨te in France.Yet the piece is entirely unlike anything that preceded it. Stockhausens' Gesang der Jà ¼nglinge draws on unorthodox audio materials (Bazzana 74).   Stockhausen’s objective was to fuse the sonic components of recorded passages of a youth choir with equivalent tones and timbres produced electronically. He wanted to bring these two different sources of sound together into a single, fluid musical element, interlaced and dissolved into one another rather than contrasted, as had been the tendency of most musique concrete.   Stockhausen created some stir with works of very new spirit and imaginative form (Collaer 395).Stockhausen practiced his newly formed principles of electronic music composition, setting forth a plan that required the modification of the â€Å"speed, length, loudness, softness, density and complexity, the width and narrowness of pitch intervals and differe ntiations of timbre† in an exact and precise manner. There was nothing accidental about this combination of voices and electronic sounds. At thirteen minutes and fourteen seconds, Gesang der Jà ¼nglinge was longer than any previous worked realized at the Cologne studio.It was a â€Å"composed† work, using a visual score showing the placement of sounds and their dynamic elements over the course of the work. The result was an astonishingly beautiful and haunting work of sweeping, moving tones and voices. The text, taken from the Book of Daniel, was sung by a boys’ choir as single syllables and whole words. The words were sometimes revealed as comprehensible sounds, and at other times merely as â€Å"pure sound values†. Gesang der Jà ¼nglinge deals with a much greater variety of sonic material than did the earlier studies (Morgan 466).Stockhausen’s assimilation of a boy’s singing voice into the work was the result of painstaking preparation on his part. He wanted the sung parts to closely match the electronically produced tones of the piece. His composition notes from the time explain how he made this happen: Fifty-two pieces of paper with graphically notated melodies which were sung by the boy, Josef Protschka, during the recording of the individual layers.Stockhausen also produced these melodies as sine tones on tape loops for the circa 3-hour recording sessions. The boy listened to these melodies over earphones and then tried to sing them. Stockhausen chose the best result from each series of attempts for the subsequent synchronization of the layers.Gesang der Jà ¼nglinge is historically important for several reasons. It represented the beginning of the end of the first period of tape composition, which had been sharply divided aesthetically between the Paris and Cologne schools of thought. The maturity of Stockhausen’s approach to composing the work, blending acoustic and electronic sounds as equivocal raw ma terials, signified a maturing of the medium.The work successfully cast off the cloak of novelty and audio experiments that had preoccupied so many tape compositions until that time. Stockhausen’s concept of â€Å"composing the sound†Ã¢â‚¬â€splitting it, making the changing parameters of sound part of the theme of the work—was first exercised in Gesang der Jà ¼nglinge. Rhythmic structures were only nominally present, no formal repetition of motifs existed in the work, and its theme was the continuous evolution of sound shapes and dynamics rather than a pattern of developing tones.Gesang der Jà ¼nglinge was composed on five tracks. During its performance, five loudspeakers were placed so that they surrounded the audience. The listener was in the eye of the sonic storm, with music emanating from every side, moving clockwise and counterclockwise, moving and not moving in space.Gesang der Jà ¼nglinge was originally prepared for five tape channels, later reduced t o four, and its ebullience is greatly enhanced by antiphonal effects. Stockhausen himself was to apply in many later works the discoveries he had made here in the treatment of language and of space, of which the latter was already claiming his attention in Gruppen for three orchestras. But perhaps the deepest lesson of Gesang der Jà ¼nglinge was that music of all kinds, whether naturally or electronically produced, is made of sounds rather than notes, and that the first task of the composer is to listen. â€Å"More than ever before†, Stockhausen wrote, â€Å"we have to listen, every day of our lives. We draw conclusions by making tests on ourselves. Whether they are valid for others only our music can show.† (Stockhausen 45-51).Stockhausen's Gesang der Jà ¼nglinge provided a major turning-point in the artistic development of the studio, for against all the teachings of the establishment the piece was structured around recordings of a boy's voice, treated and integrat ed with electronic sounds. In Stockhausen Gesang der Jà ¼nglinge electronic sounds take on a disturbing â€Å"otherness† when set in relief by the humanity of a boy's voice, racked at times out of intelligibility, but never out of recognition, by the dissection of its speech elements.Effects such as the distant murmur of multitudinous identical voices have a dramatic impact far more direct than Stockhausen's comments on the work would suggest; his concern is to incorporate vocal sounds as natural stages (complemented electronically) in the continuum that links tone to noise, vowel to consonant. His vivid imagination for broad effects is further revealed in the spatial direction and movement of the sound by distribution.Stockhausen was the most representative composers of a period which is still in its analytic phase (Collaer 48). Gesang der Jà ¼nglinge has subsequently become a crucial aspect of electronic composition and has helped to combat the faintly ridiculous sensatio n with which an audience concentrates on sounds emanating from a single â€Å"pseudo-instrument†. Stockhausen's fanatical devotion to this art is sustained by a vision of public music rooms (spherical ideally) giving continuous performances of spatial music. However reminiscent this may seem of some deplorable cinematic techniques, complex stereophony is an altogether natural development of machine music and may help it to achieve a persuasive idiom owing nothing to instrumental practice.Works CitedBazzana, Kevin. Glenn Gould: The Performer in the Work: A Study in Performance Practice. Oxford University Press, 1997.Collaer, Paul and Abeles, Sally. A History of Modern Music. World Publishing, 1961.Morgan, Robert P. Twentieth-Century Music: A History of Musical Style in Modern Europe and America. New York. Publication, 1991.Stockhausen â€Å"Actualia†, Die Reihe, 1 (1955, English edn. 1958), 45-51, (see also his ‘ Music and Speech ‘).

What Everybody Dislikes About The American Dream Essay Topics and Why

What Everybody Dislikes About The American Dream Essay Topics and Why the American Dream Essay Topics Help! Simply type example of an argumentative essay and you'll discover unique kinds of samples. It isn't that the topic is chosen from the particular field. Each point needs to be accompanied by strong evidence. Write an essay describing one group of people who the American dream doesn't really ring true for in your perspective. The women in Iraq aren't the only ones which are suffering in the current society. Folks should begin realizing that in order to switch the country they need to be more responsible. People from other countries really like to be in America hence the majority of the immigrants are flocking the nation. A number of other nations envy a nation or consumers and producers because only a number of them are able to match the sheer variety of products that America makes. The Good, the Bad and the American Dream Essay Topics Among the perks of being a hardw orking person is that people may count on you and when folks know they can trust you, it makes you wish to work even harder. The difficulty to maintain a job and stay financially stable can be terribly significant. Both want equality for their people, the people which are in precisely the same class and race they're in. One of the primary reasons why it's alive is there are endless opportunities that folks get on a daily basis. For instance, if part of somebody's American dream is to also come to be a singer there are lots of singing competitions that give one the chance to achieve it. You can do anything if you set in the attempt. In addition to that, a job isn't simple to locate anymore. You have to put in the time and efforts. Jay dies still waiting for Daisy's call though it's clear for all to observe that hope needs to be lost. In order to reach the American dream you can't back down to anyone or anything, it's necessary for you to make what you would like known. On the flip side, his writing expresses the deficiency of governmental assistance. You probably need to be wealthy to be in a position to be given all your wants, and not everybody can be a surgeon or an attorney. In its simplest form it's the belief that everybody has the chance to do their heart's desire. A dream usually means a joyful ending and a joyful outcome. With the capacity to change one's fate, an individual can make their dreams come true. On a different note, American dream involves happiness which comes as a consequence of achievement as a person who would like to accomplish goals like becoming rich or being famous. The American Dream is designed to be a manner of life attainable to all Americans. Gatsby becomes corrupte d because his primary aim is to have Daisy. Both American History X and Crash clearly handle the idea of the American Dream and the manner people decide to live their lives. For Gatsby, his American Deam isn't material possessions in reality, even though it may appear that manner. According the American Dream, everybody has a fair chance at wealth in the event the person is driven and hardworking. The American dream is still accessible today since there are many opportunities and ways to receive your career going. Many people don't understand their own wants and therefore simply attempt to acquire more cash and as soon as they achieve that goal, they realize it's not actually what they wanted. All that must be done is to implement free and reasonable laws that will offer everyone with a chance to pursue the dream. Education too many people is the American dream as it may give you a job and it might offer you Knowledge. For instance, lower-class families may get a decrease chance to attain the American dream, but not entirely impossible. Everyone has different jobs which may control how successful they are, or would like to be. People have equal chance for achievement. New Questions About the American Dream Essay Topics As can be observed from the above mentioned, it's tough to define the expression American dream and today there's no frequent opinion on how best to formulate it. Moreover, there are 3 principal aspects that have made the American Dream possible. To begin with it means the liberty of choice. As the creation and most apparent label of culture, language can be the most influential component that complicates people when they're pursuing the American dream, particularly for immigrants that are non-English speakers. The cost of an essay depends upon the total amount of effo rt the writer has to exert. When writing an essay about American dream picking the right topic can be very challenging. While writing on American dream essay topics it must be noted down by the students that they need to cover various sociological topics and ought to be mindful of the exact same. Therefore, many students and employees decide to purchase inexpensive essay rather than writing it themselves. the American Dream Essay Topics - the Conspiracy The American dream can even be as straightforward as going to college, obtaining a level, and receiving a job and home. Most people in our society now look to get a greater education and receive a better job that pays a greater salary. Despite that, an education may have a pricey price that individuals can't pay off. While college is largely costly and resorting to student loans may be the sole way, most individuals think that it's well worth it, seeing since they can find a better Job once they're out of college.

Racial Profiling By Scott Johnson - 945 Words

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Also, Harris stated that, â€Å"crime rates are equal among racial groups and arrests, convictions and incarcerations are unequal based on the premise that police, prosecutors and courts systematically pick on minorities due to the color of skin (Harris). For example, the Trayvon Martin case is evident that racial profiling was negatively applied due to stereotyping. Stereotyping is an exaggerated or distorted generalization about an entire category of people that does not acknowledge individual variation. Stereotypes form the basis for prejudice and discrimination. They generally involve members of one group that deny access to opportunities and rewards that are available to that group. This is a fundamentalShow MoreRelatedRacial Profiling1260 Words   |  6 PagesRacial Profiling The definition of racial profiling is prejudging someone by their ethnicity or racial profile based on the stereotypes that an ethnic group may carry. 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