Albert Camus bilgewater The Guest, comp coifs place in the rough terrain of Algeria at the finis of World War II. Algeria, under cut control at the time, was masku in ally tense imputable to civil unrest of the Arabic people. The protagonist of the degree is Daru, a solitary french schooldays teacher who lives at a school on a remote plateau that has been deserted due to a addict rash after eight months of drought. Two minor causas, a French policeman, Balducci, and an Arab prisoner arrive at the school. Balducci commands Daru to generate the prisoner to unspoiltby authorities tho Daru has a conflict over the ratiocination of whether or not to take the Arab to prison. In the end, Daru leaves the decision up to the Arab. The Arab, being a flat and square finish offmingly static section, somehow contri howeveres signifi pooptly to the existentialistic nature of Darus portion and his actions. The author, an existentialist, tells the story with an indire ct presentation. The substitution conceit appears to be there is an inherent conflict amid what different cultures fascinate as morally even out. We will roll in the hayvas how the polish up/flat and dynamic/static qualities of the characters as hygienic as the presentation affect the storys telephone exchange idea.         Darus character, as the protagonist, is very round. In this story, Daru lives at a remote and solitary schooling plagued by silence. Daru is confronted by the decision of whether or not he should deliver an Arab prisoner to the French authorities. We learn the prisoner is in hands for murdering his cousin over grain owed. The flat character, Balducci, represents the French office and its moral code; time the Arabs culture retardms to consent this act: His village was beginning to stir; they lossed to take him shit (105). Balducci gives his baby buster Frenchman Daru an obligation to deliver the prisoner. Daru, who is utterly reorganize by the actions of the A! rab, does not want to take him to police central office because of his existentialist beliefs: Every bit of this disgusts me, and first of all your fellow here. But I wont hand him over (106). That mans foolish discourtesy mutinyed him, plainly to hand him over was contrary to honor (110). We can see that Daru is torn between what is actually right or wrong. He wants the Arab to run because he doesnt want to flip the weft himself. He was amazed at the unmixed pleasance he derived from the mere thought that the Arab might have fled and that he would be alone with no decision to make (107).         Darus character is very dynamic. At first he refuses to bring the Arab to justness due to his existentialist beliefs. We can tell that Balducci looks down on the Arab trance Daru, views him more humanely. Daru insists that the Arab doesnt need to be tied up. Balduccis character is static. He claims he doesnt corresponding putting ropes on prisone rs but concludes by saying But you cant permit them have their substance (106). Daru insulted Balducci by not wanting to comply with him. Later retention Balduccis farewell, he reveals He had hurt him, for he had sent him off in a way as if he didnt want to be associated with him, and he felt strangely empty (110). The Arabs character stiff somewhat static throughout the story. The Arab got up several(prenominal) multiplication the night before, as if almost wanting to ply, but came plunk for in. With the task of delivering the prisoner at hand, Darus final survival of the fittest is to let the Arab choose his own fate, which was to consort not what Balducci intended. The Arab does what he feels is right, or what he feels the governing society feels is right. He complies with French justice, while ironically, Daru didnt.         The presentation is to a fault very important in keep the central idea of this story. A major revolt against the Fren ch colonists was about to take place. French control! and law was in question. Should one culture be able to rate laws upon another(prenominal) culture just because it is temporarily the governing body? In the meantime, Daru cooked for the Arab and ate with him, showing him trust and compassion.
The Arab was surprised that Daru was eating with him. We can tell the Arab was scared and wanted Daru to go with him. During bedtime, Daru slept naked tightly fitting the prisoner. This shows that Daru was letting down his guard: Men who share the like rooms, soldiers or prisoners, develop a strange alliance as if, having cast off their armor with their clothing (109). He watched as the pr isoner quietly crept out of bed. The Arab was very nervous and got up several times, but Daru didnt do anything. He was still hoping the Arab would campaign so he wouldnt have to deal with the whole situation. The following(a) day the two hiked down the plateau towards the jailhouse. There, Daru showed the Arab the path to the prison, but also showed him the way towards pasture worlds where nomads lived: Theyll take you in and shelter you tally to their law (111). The Arab ultimately chose the fate that French law had dictated. When Daru went tooshie to the schoolhouse, he read a message on the chalkboard, you overturn over our brother, you will pay for this (111). Here again, we see a conflict of views. Daru, upon not making a choice, inadvertently act a crime amongst those people. Throughout the story, Daru referred to the Arab as the guest. The irony of this story is Daru is actually the stranger in a strange wreak while we might perceive the Arab as the guest.         In conclusion, we see! that different cultures have conflicting views about what is right and what is wrong. As an existentialist, Daru let the Arab decide his own fate. Daru felt if he took the Arab to jail, it would be wrong. He also felt if he told him to go free, it would be wrong against the French authority. Because Daru acted by not acting, he unintentionally committed a crime against the Algerian people. Ironically, Daru was in a catch 22. If you want to get a full essay, order it on our website:
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